His
ink swirling around his body, over chiseled arms, swirling down his taut belly,
coming up from his bare feet. Whiskey and
cigarettes. And a pain tolerance that has no bounds. Sal Raniero is the golden
boy submissive of Juliet and primed to become a Master.
Much like the strong personality
characteristics Salvatore has in Juliet, he is much the same way in my head. He
arrived in 2012 in another story with little notice by me. And as I continued
working on that original tale, he began to evolve and it became clear to me
that he could anchor main character a role.
The thing about Sal that
surprised me most was that he had the heart to match his good looks. He knows
he isn’t perfect but where he does shine is in his abilities to read people. He
knows when to turn on his bad boy persona and when to take a step back to the
real him. I think by the end of Juliet you start to get a real feeling of who
he is as a man, but also see his weaknesses.
I have tried to keep him
authentic and grounded as possible. He is stubborn not only on paper but in my
head. He doesn’t ramble about in my head but rather comes up with the quips
that make me look like one of those insane writers who is typing away laughing
and crying, sometimes at the same time.
I have a fondness for him which
while I could easily attribute to his physique, it is more than that. He is an
incredibly, sometimes brutally honest guy and I respect him for it. Still,
there are days when I have loathed spending time with him because sometimes his
loud mouth gets in the way of his heart.
What I will share with you is
that while Iris may have pushed me to write the story, it was Sal who stood
ever vigilant at the door making sure I didn’t run off. He is the one who
scolds me when I’ve spent one too many days away from the box he lives in.
I think it’s important to remember that Juliet
isn’t just about Iris’ story. It’s just as much Sal’s story. As well as a very
full cast of colorful characters who I have tried to make memorable. Some of
those supporting characters will be given their due time as I delve into their
stories.
I think what Sal, in particular, has taught me more than any
other character is in web-spinning. Connecting those little intricate threads
through subtle strokes as opposed finger paint splatter. There is a time and place for those massive swells of
generous color, but a lot can be said
with sometimes the finer brush strokes. And sometimes following the finite
lines lead to even bigger pictures than the globs of goo. I’m not completely
sure that made sense on paper, but it does in my head.
Another very important thing Sal
gave me was in body language. His big personality and his movements gave me
many a struggle. Again, I’ve tried to give him to you as honestly as I could
and I think that the totality of Salvatore will translate to the reader just as
bright a character as Iris. I don’t think he wants her standing in his shadow
or even necessarily with her as a pretty princess on a pedestal. They are
equals through and through despite the different obstacles each is encountering
on their journey.
I love Sal as much as I love
Iris. Possibly even more because without him standing in that door, Iris would
have never been heard. He made Iris’ voice possible and for that I am eternally
grateful to him.
Love & Light
Enjoy the ride!
k.